We are a small and slightly irregularly formed graphic design studio located in the South West of England.

We take on all sorts of projects regardless of size or budget, and pride ourselves on our creativity and originality.

Please get in touch if you would like to do graphic design with us.

Thank you for looking.

Redesign of the main menus for Waterloo bar and restaurant, The Cut.

The brief was to make something that could be updated regularly in-house. The final outcome is printed on standard off-white office paper and attached to a backing board using an elastic band.

The bellyband is also regularly updated to promote tie-ins with The Cut’s neighbour The Young Vic theatre.

The backing board is made of super durable and environmentally friendly Richlite, a material made from hundreds of sheets of compressed paper, and used in architectural fittings and kitchen utensils.

Found is one of our favourite shops in Bath, selling an eclectic and exciting range of products, so we were very happy that they asked us to design their e-commerce site.

The site is an extension of the shop itself and the design had to reflect this. The randomly selected background image changes every time you navigate to a new page on the site, giving you a little peek at the interior of the store and some of the ever-changing range of products.

Click to visit the site.

Open Studios at BAS in 2011 was their busiest in recent years. For a long time they had wanted to include a comprehensive directory of their 60+ artists on the guide but thought it impractical. We helped them realise it this year with a clean, simple layout that helped visitors to both navigate the many corridors, and take away a reminder of what they had seen there.

Book design for Claire Loder, an artist working in ceramics with a penchant for faces and heads.

She needed a limited edition book to use as a self-promotional item and as a place to gather some recent work, sketches and thoughts. Needless to say, we leapt at the chance to help. Being interested primarily in faces, mirrors play an important part in Loder’s inspiration. Taking this as a starting point we designed a mylar sleeve in which to house the book and hide the first face on the cover which is revealed upon opening.

Each book also contains a hand-drawn face on the title page, for which we found some lovely photo-corners to be hand-stuck into the 193 copies.